Some research into the layout of oil paintings in publications:
Adrien Ghenie - Shadow of a Dream
The paintings are presented on full spread across in page in the first half of the book, creating a flowing motion to the book. Almost making it feel like one painting. Could present Dangoors paintings in this format to communicate i=his distinctive style of an oil painting.
The second half of the book is presented in a more generic 'exhibition' styled pamphlet layout. Makes the imagery clearer to see, but less interesting.
Kokoschka - Great Modern Masters
Probably the most interesting page, layout-wise, the spacing fo imagery (top) and type (bottom) draw you into the page where - the type is also similar to 'rugged' aesthetic of some of Ruaben Dangoors lettering in is paintings.
The standard layout used throughout the publication - not very interesting.
Experimental Layout - Ian Noble & Russell Bestley
Double page spreads?












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