Saturday, 9 November 2019

Studio/Designers/Practitioners


I NEED TO WORK OUT MY VISUAL LANGUAGE 

Look at musicians album - what style 

I like the idea of taking a physical object and rendering that digitally and re-imagining that aesthetic in a way that  
I like work that responds to current issues through visual cues with a comical tone.  
  1. What do you want to find out? - how is gonna be useful to me? 
  2. What answers are you looking for? - Instead of asking questions like 'what's your favourite project?'. Get personal, how do the things they see and use impact their art and process? 
  3. How can this information help you? 
What do i want to find out? 
  • how glitch art and other kinds of image/type distortion can be presented through different medians?
Questions
  • How did you build a reputation amongst other artists who work within the glitch art movement? 
  • Was it a planned route moving into the glitch art scene (had your work always presented a distorted aesthetic?, or was it happy accident (a computer glitch)that you came across that drew you to the manipulation of imagery?
Artists'

MetaHaven 


  • Work that heavily references the middle ground between the corporate and government worlds. 
  • Microsoft’s pre-installed font package, drop-shadow effects, garish colours, pirated logos and other dated graphic elements are a tie to the standard tools used by major corporations.
  • Uncorporate Identity (2010) traces the connections between corporate and nationalist aesthetics
frieze.com/article/what-metahaven
http://sprawl.space/#/shard/on-rt-cloud-platforms-as-states-states-as-cloud-platforms

Email: inquiries@metahaven.net 

PETER JUDSON (MURALS)




  1. I like the bold and direct aesthetic of his MURALS. The Designs are transferable between print and digital. This would be useful to research for me because I like the idea of creating murals that are instantly recognisable through their illustrative aesthetic (bold block colours) and playful imagery. 
Phone: +44 (0) 7896190670

Email: Hello@peterjudson.com

Reuben Dangoor 






  • Painter that presents current popular political and social issues through his satirical oil paintings.

Ra Bear (Adam Griffiths) - Re working of objects

ra_bear 

Exploring the space between the physical and digital world'

https://www.instagram.com/ra_bear/?hl=en
https://www.ra-bear.com/

Translating imagery from website into a book format - creates an odd format/placement of imagery.

Series of images for Fount Magazine - Connection issue


Photography / Art Direction for Emergency Meeting's Squashing Vibes publication




Trasient_space 

https://www.instagram.com/transient_space/
https://designmcr.com/events/transient-space

Digital gallery that explores the concept of time, space and the culture of transient screen.

Key focus of Project (projections):

  • adopting screens
  • disrupting 'non spaces'
  • presenting a 'non-traditional' gallery' 

Inspiration behind projections - Jenny Holzer - Disrupting a space.
https://www.ra-bear.com/Squashing-Vibes
  • image making - publication layout
  • traditional design 
  • satirical design
  • works with musicians 

James Dickinson - Iamtheflasher - Projections 

Using equipment to distort visuals (programme them)

Parklife visuals


A linear series of collages consisting of hand cut, redundant and obsolete stock catalogue images and pattern swatches, digitised and re-curated to gradually form a landscape of splintered visual contexts.



Sintra Tantra 


Geometric bold shapes 
murals 

A British artist of Balinese descent, Sinta Tantra was born in New York in 1979. She studied at the Slade School of Fine Art, University College London 1999-2003 and at the Royal Academy Schools London 2004-06. In 2017 she was the first person to have been awarded the Bridget Riley Drawing Fellowship at The British School at Rome (2017). 

Highly regarded for her site-specific murals and installations in the public realm, commissions include; Facebook London (2018); Folkestone Triennial (2017) Newnham College, Cambridge University (2016); Songdo South Korea (2015); Royal British Society of Sculptors (2013); Liverpool Biennial (2012); Southbank Centre (2007). Tantra's most notable public work includes a 300-metre long painted bridge commissioned for the 2012 Olympics, Canary Wharf, London

EDUCATION

2003 - 2006 Postgraduate Diploma in Fine Art, Royal Academy of Arts, London
2000 - 2003 BA in Fine Art Slade School of Fine Art, University College London, London
1999 - 2000 BTEC Foundation Diploma in Art & Design, Middlesex University, London

Email: studio@sintatantra.com  
Phone: +44 7960 944 199


Marcos Zotes 

Marcos Zotes is an architect, multimedia artist and exhibition designer with output ranging from buildings and public spaces to exhibitions, installations and public art interventions.

  • Disorientate 
  • Changing an environment 
  • Space and its relation to viewer (confined or open) 






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