Saturday, 1 December 2018

Presentation of Film Screening Idea


Link to presentation:

file:///Users/tomhomans/Downloads/Presentation%20x%202.pdf 

  • Particular scenes are shown well in poster
  • idea of space well presented 
  • Development is justified 
  • Final poster fits tone of film 
  • Screening is intense, very interesting and fits well
  • Poster is really well linked to the film 
  • Clearly all ideas come from some in depth research
  • very informed solutions, bring it back to one aspect is great
  • Instagram is aesthetically powerful, a little less powerful than the intense screening but does bring balance bring balance to the entire concept 
  • really like the idea of an immersive experience - really like the idea of an old tv
  • Like the use of neon colours to represent keys scenes in the film 
  • Like the idea of sitting in corner & multiple scenes, like in a spaceship 
  • Larger text could be used to make it more legible 
  • Could be faded/distorted to match the aesthetic
  • What inspired the broken up typeface? 
  • Like the idea of it being intense and that you're always being watch, like the intensity of HAL in the film
  • It's like an instillation piece, it's different to the other screenings 
  • Ticket and screening hard to link together, not very cohesive 
  • Scenes translated into initial ideas well 
  • Could've explained film plot and aesthetic more 
  • Like the use of animation - links well to film
  • Really liked the layout of the instagram page 





I also feel that our screening has a instillation feel to it. This is down to the heavy focus on drawing the audience into a space and getting them to react to the visuals and audio of the piece in a way which is strongly influenced by us, the creators of the instillation. I feel that the plot and aesthetic of our poster and screening was described in enough detail to inform the audience of what they will be watching, while not giving too much away, and keeping it ambiguous like the film itself. We did think to make the ticket, the screening and the poster more cohesive in their style, but we felt that the distorted nature of the type on the poster wouldn't fit in well with the pragmatic space ticket theme we were going with. The aesthetic of the type could have been explained to the audience more clearly, but we wanted to focus on the overall theme and look of the screening and film instead of the minor specifics, as we felt this allows the audience to build their own more personal interpretation of the screening and poster. Although, the broken text is used to portray the evolution and jump between time in the film and how these changes distorts the viewers interpretation of the film.

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